Downton Abbey Ball 2015

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I have been working with Centrepoint for a number of years supplying the Production for their flagship fundraiser Sleep Out.

Allen Leech (aka Tom Branson, the chauffeur, who moved ‘upstairs’) and Rob James-Collier (aka Thomas Barrow, the underbutler) are the ‘go to’ men when it comes to off shoot events and fundraising to do with Downton Abbey.

The core of the idea was to sell tables for a fundraising dinner to benefit Centrepoint and to support its Centrepoint Young People programme. With Downton on board, the venue had to be the Lancaster Room at The Savoy, and straight away I started looking at a 1920’s theme for the event.

Inevitably a Black Tie event, very soon the tables started selling out, and we knew the idea was going to work a treat. Included in the line up, we had Jim Carter (aka Mr Carson, the head butler) acting as MC/Auctioneer for the evening. We had Hugh Bonneville and Phyllis Logan, along with most of the rest of the cast from both upstairs and downstairs from Downton Abbey.

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I engaged the services of Tom Walsh at Hawthorn Theatrical Ltd to provide an authentic lighting solution for the theme, as I knew having had discussions with him that they had a stock of old fashioned original lighting, plus some classic giant TV Fresnels on stands, and a good run of brass shell style theatre footlights to support the theme, so we had a good combination of set pieces, which doubled as lighting fixtures.

Audio wise, I went straight to Robin Conway at Capital Sound, and we came up with a plan to use the MLA Mini with the Yamaha QL1 control. I had a plan to build hides for the PA to stack it behind a dressed acoustic scrim, but in the end, as the scrims themselves would then become a big visual ‘block’ and the MLA Mini is so discrete, we left them on show.

The finale was the auction of the Downton cast themselves when 7 of the actors were auctioned off to the guests to join them at their tables for dessert and coffee. 

It was a special evening of entertainment and a very lucrative fundraiser raising over £130k for a worthy cause indeed.

Silence in the Square 2014

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Since 2009,  SW19’s Production Manager Charles Ellery has been involved in supporting The Royal British Legion during its Poppy Appeal Launch and the Armistice Day commemorations on the 11th November with the Silence in the Square event on Trafalgar Square.

2014 was no exception and Charles and the team at SW19 were delighted to be involved once again.

In the run up to the 11th November, we received a call from The Legion to get involved in the installation of the Every Man Remembered statue, a 1.9 ton statue inside a Perspex pyramid placed into the middle of the Square, which took place throughout the night of the 6th November. It all went off without a hitch and the switch on and press launch took place on the 7th November.

A few days later on the 10th, Charles was on site to see the production elements in to the Square for the Silence event. Starting at 6pm they worked through till 3am, grabbing a few hours’ sleep nearby, and then back on from 6am to see the media arrive and plug in for broadcasts which started from 7am. With sound checks taking place from 8am through till ‘doors’ at 9:30am we  managed to be show ready at a quarter to ten and then before we knew it 11am was upon us, the heart of London felt utterly silent for a couple of minutes.

We were joined by performers including Sol3 Mio, The Shires, Collabro and the London Welsh Male Voice Choir, with poignant readings by Kellie Shirley and Richard Glenister, all ably hosted once again by Ben Shephard.

Charles commented  ‘I am delighted to once again be involved in supporting this important National commemoration, especially during this Centenary year of the start of World War One, and I look forward to supporting The Royal British Legion for many more years to come.

For more information on the Poppy Appeal click the following link

www.britishlegion.org.uk/get-involved/poppy-appeal

Centrepoint Sleep Out 2014

Sleep Out 2014

On a freezing cold November evening, the great and the good of the celebrity and business world descended on the Old Truman Brewery in Brick Lane for a night out under paper and cardboard, as they came together to raise money for Centrepoint and the homeless by sleeping rough for the night.

SW19 were brought in by the Centrepoint Events team to sort out the production package including staging, lighting, projection and audio for the Truman Brewery site.

Charles Ellery carried out a site visit and came up with a production package to suit the venue and bands performing there.

Bands included White Room along with Rival State, Maverick Sabre and Sara Cox DJ’ing till bedtime when the celebs, including Dermot O’Leary, Richard Madeley, Lisa Maxwell and Allen Leach, pottered off to Sleep Out in a large marquee, with just a single sheet of cardboard for a mattress and a paper bag for a sleeping bag.

Alex Sayles, manager for Rival State, commented afterwards, ‘I just wanted to congratulate everyone on an amazing and very special night. Thank you for allowing us to take part and for taking exceptionally good care of our boys – they had a blast and thoroughly enjoyed themselves. I hope each and every sleep out were great big successes for you. Keep up the amazing work and hopefully see you all again in the near future.

Poppy Appeal Launch 2013

This year’s Royal British Legion Poppy Appeal aims to raise an amazing £37 million. SW19 provided production requirements for both its launch at RAF Northholt on 24th October and Silence in the Square on 11thNovember.

The launch was hosted by television presenter Gethin Jones with music from The Saturdays, X Factor’s Union J, up and coming pop star Tich, Britain’s Got Talent finalists Luminites and The Poppy Girls – five girls aged between 10 and 17 who are daughters of serving armed forces men – who performed the official Poppy Appeal 2013 single, The Call (No Need to Say Goodbye).

SW19’s Charles Ellery has worked on a number of events for the Royal British Legion over the last few years and provides a service they have come to rely on.

“Charles and I first worked together on the launch of the Poppy Appeal in 2010, when it was staged at Colchester’s Melville Barracks,” says Becky Warren, PR Manager for the Royal British Legion. “The Appeal itself has developed since then and now we put on this style of ‘pop up’ Poppy Appeal pop concert for the armed forces and their families.”

RAF Northolt was chosen for this year’s concert as it is one of the locations the Legion delivers its welfare service, with 3,000 concert-goers coming from military bases as far afield as the Navy base in Portsmouth, and the Army’s barracks in London and Aldershot.

SW19 brought in Capital Sound to provide audio requirements, STL Lighting for lighting, Creative Technology for video hardware and Star Hire for the stage and grandstands. Raw Productions provided all the video content and Zest supplied cameras and recorded the show, which streamed live on the web and has been archived for future playback and internal use, whilst SFM Security ensured that all artists were well taken care of.

“We have to deal with the requirements of the different entities from The British Legion, as well as the contractors,” explains Squadron Leader Richard Willis, Station Media and Communications Officer and project officer for The Poppy Appeal launch, talking of the additional logistics involved for SW19. “And we needed to make the event happen on a secure, active, military base.”

“The Legion is a wonderful client,” says Charles. “They are patient and they trust me to put together what they want as a finished product. The time schedule this year was pretty tight, as I also handled the Remembrance Sunday event in Trafalgar Square on 11th November, so I cleared my desk of everything else for the duration.”

With the concert held in the hanger that used to house Winston Churchill’s personal aircraft, which is a Grade II listed building, particular care and attention was needed.

“The hangar is an empty structure, so we had to bring absolutely everything in,” Charles explains. “As it’s listed, we couldn’t hang anything from the building itself, so it all had to be free-standing. I needed a team I knew I could rely on, so I chose each company because of their experience and expertise.

Working alongside Charles was stage manager Jem Melluish, who Charles has worked with on previous Legion projects, production assistant Dina Van Der Elst who worked alongside Becky on artist and press liaison, and SW19’s Lisa Santos and Leila Farhangi-Farrell, who provided vital support back at the SW19 office.

“SW19 is a professional company that does things like this all the time. It’s been really good because they’ve scoped the site out, they know what’s required, they just get on with it and we don’t have to worry,” continues Squadron Leader Willis. “Working with Charles in particular, who has done this many times and knows exactly what he’s doing, has been really easy. The whole thing ran very smoothly. The military have a can-do attitude anyway; even when there are last minute requests we try to just make it happen. But our need to do that was very much the margins, as the bulk of it was done by SW19 and the contractors.”

Silence in the Square 2013

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“Trafalgar Square, 6pm, Sunday the 10th November. It’s already dark but at least its dry!” says SW19 project manager Charles Ellery. The reason he’s there is for Silence in the Square, the second event that SW19 has handled for the Royal British Legion in the space of two weeks.

Charles called upon the services of Star Events, Wernick Hire, Powerline, Capital Sound, STL Lighting, GLD Productions and Global Infusion Group for the event, who all descend on the square to load in through the night, preparing the Square for the influx of 5,000 plus people, all there to stand in silence for two minutes to mark Armistice Day on the 11th hour of the 11th day of the 11th month.

“We had a lovely, smooth load in through the evening with Star setting up the 10-08 stage and FOH tower, Wernick dropping off the dressing room cabins and production office, Powerline bringing in the generators and distro, Capital the audio system and STL the lighting package,” says Charles. “Then ADI arrived and set up the iCONIC 100 screen, which was very impressive.”

Having made it to his hotel room by 3am, Charles was back on site for 6am, ready for all the OB trucks to arrive, get powered up and have their dishes pointing in the right direction.

“The morning brought rain, but the Breadline Café was busy cooking 150 bacon, sausage or egg sarnies for us; urn switched to maximum to keep us all warm and keep the damp out with endless cups of tea and coffee,” Charles recalls. “Slowly but surely, the Royal British Legion arrived and branded the square with poppies of all different sizes.

“The Poppy Girls, Next of Kin and Paul Potts all performed with Zoe Tapper and Adrian Lester delivering some emotional readings from the stage.

“At 10:58 we switched all the traffic lights to red – yes, we do that – and the soldiers and traffic marshals moved amongst the traffic to explain what was going on. Everyone switched off their engines and got out to stand as the Last Post sounded at 10:59.

“Big Ben struck 11am and, as the sound of the bell faded, we all experienced that amazing annual event: the heart of Central London utterly, deafeningly, silent for two minutes.

“With the Reveille from the bugler announcing the end of the two minutes, the Kohima read by the Chairman of the British Legion, and the traffic lights switched back on to their normal phasing, the background noise of a working Monday morning in London returned. And we got ready to load out…”

Bond Party

 JLS Cheltenham

Saturday 8th June 2013 saw Harriet and Lucinda Bond, daughters of Peter Bond, Founder of Soho House, celebrate their 21st and 18th birthdays. SW19 Productions made it a party to remember.

Having been recommended by Steve Martin, tour manager for JLS, to supply production for the birthday parties of Harriet and Lucinda Bond, Mick Newton, a friend and colleague of Peter Bond, called SW19 Productions to ask us to organise the stage production element for the event near Cheltenham.

Our crack SW19 team of Charles Ellery and Lisa Santos swung into action to fulfill the rider requirements for the event and supplying the high-end finish for the client and the band.

Access to the site was tricky, with very narrow lanes and low trees along the driveway, and a marquee ‘floating’ eight feet above the ground at one end and a flowerbed and dry stone wall the other, so we put a plan in place that involved a four leg ground support for lighting and video.

The screen supplied by Steve Greetham at XL Video was a large 5m x 2.5m lightweight Pixeled F15 screen to show the intro video, stills content and generic Hippo Critter content which had been produced from scratch by Maria Jenkins the Critter tech. The lighting package from Steve Finch at Siyan included Fresnels for front light, Sunstrips, Sharpys and 600 washes to create a very full look for the band. Paul Timmins at Capital Sound supplied the audio elements of LS9 control each end, Meyer 600HP subs and Meyer Mina PA and Meyer UM-1P wedges, with a complement of Sennheiser in ears and Shure radio mics for the boys.

“We arrived on site on Friday the 7th and loaded in from midday,” says Charles. “The kit had been collected that morning in two 26 ton trucks from Capital, Siyan and XL Video. Eight local crew from Rock City tipped and took the kit through to the back garden, only to see the venue perched at the top of the hill 100 metres away. Without batting an eyelid they pushed the gear up the steep slope and into the venue and we got on with the rig.

“At 8pm, we were all in place and tested, the video intro Maria had produced was run through with Mick Newton and we finalised the plan for the start of the show. Mike MacDonald, the Lighting Designer stayed on site until 2am programming a huge number of looks for the pre-arranged set list. Steve Bunting and Kursten Smith, at front of house and monitors respectively, checked the audio systems and we knew we were in good shape for the show.”

Saturday dawned sunny and warm, and everyone headed down to site at lunchtime for a further test to make sure all was well with all systems.

Guests started arriving from 7pm and with the Kabuki in place, which was designed to look like the end wall of the marquee, no one had a clue there was a full stage rig for JLS immediately behind.

“We silently sound checked the band during dinner behind the Kabuki and, once the speeches were over and Peter Bond had said the magic words of ‘Let the Party Begin’, the Kabuki dropped, and the crowd gasped in amazement to see the set up,” recalls Charles. “The intro video kicked in and seconds later the young crowd were running to the dance floor to get closer to JLS, as they started their performance with ‘She makes me Wanna’.

“Nine songs later, JLS left the crowd wanting more, and we transferred into the DJ system which then ran through until 5am.”

Steve Martin adds, “This was by far the best private event we have done over five years and the best looking corporate ever.”

After it was over, the team rested until 9am, and reconvened on site from 10am to pack down and load out, leaving site at midday to return a beautiful corner of Gloucestershire to peace and quiet.

The Royal British Legion Poppy Appeal 2012

Poppy Appeal 2012

Wednesday 24th October saw the launch of the Poppy Appeal at Trafalgar Square go off with a bang and for the third year, Capital Sound provided full production.

A fanfaire of trumpets from 1st Battalion The Coldstream Guards opened the show, which was hosted by Ben Shephard. Amongst the performers were Alesha Dixon and The Military Wives Choir, with James Fox singing the Poppy Appeal Launch single, ‘Landlocked’ and Pixie Lott headlining.

“As a full production job for Capital, you literally have to supply everything from the ground up,” says Capital’s Charles Ellery. “We supplied staging, lighting and sound, with the video element arranged by the Royal British Legion’s own in-house video production supplier, Raw. We also arranged for all the dressing room cabins, temporary loos, catering, first aid, special FX and so on.”

Everything came together on a long overnight load in, which started at 6pm on the 23rd and the entire set was ready by 5am on the 24th. With four sound checks to cover in two hours before doors at 11am it was a busy morning, but everything was completed in plenty of time.

The audio team of Joseph Pearce (Crew Chief and System tech), Nick Foots (FOH), Steve Bunting (MONS), Craig Bruce (RF and Stage Tech), Nathan Hayward (PA/Stage Tech), Karima Kingsley (PA/Stage Tech), Harry McCann (PA/Stage Tech), Louisa Gladwin (Mons/Stage Tech), did a sterling job.

“With changeovers of only three minutes between bands, it was very tight for time,” says Charles, “but the crew performed incredibly well after a long night rigging and testing and it all went off very smoothly.”

The climax of the show was the official launch, with half a million poppies being blasted over Ben Shephard, Pixie Lott and Alesha Dixon, to declare the Poppy Appeal open!

Operational Service Medals

Charles Ellery OSM 2012

Capital Sound Project Manager Charles Ellery has been awarded Operational Service Medals in recognition of his astonishing 19 tours to Afghanistan and The Iraq Medal for his eight tours to Iraq, which amount to 176 days in total as a production and tour manager in operational areas.

For the past 10 years leading UK audio rental company Capital Sound has been working with CSE Forces Entertainment to support British troops in the Middle East, providing sound for the shows that are a vital part of keeping moral high.

More than 45 days must be served in operational areas for recipients to qualify for the awards. As Charlie received his medals, Nicky Ness, Controller of BFBS Radio and Director of Entertainment, read his citation and said: “He’s eaten roughly 80 RAF paninis and suffered approximately 160 hours of indigestion as a result! If the RAF did air miles, he’d have enough to fly to the moon (via Mars, the lost city of Atlantis and Birmingham).”

She went on to comment, “Anyone who’s worked with Charlie will know and appreciate his absolute commitment to getting the job done. He is seemingly indefatigable and always willing to go the extra mile. He has worked miracles in the desert – even when kit hasn’t arrived he has begged, borrowed and stolen equipment to ensure that the boys and girls still get some kind of show.

“Charlie has shown total dedication to bringing our forces a morale boost and we are delighted he has received these medals.”

The medals were presented at a ceremony at the Victory Services Club in London by Chief of the Defence Staff, General Sir David Richards.

“We are incredibly proud of Charlie,” said Capital Sound MD Keith Davis. “Our work with the armed forces is something we don’t talk about very often, but to have one of our staff honoured in this way makes all the hard work even more worth it.”